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I also hate the 2352 or whatever different models gibson sells. I believe the sg '61 reissue's strength lies in its simplicity, a slim mahogany body and neck plus a rosewood fretboard powered by gibson's '57 classic pickups create a clear and balanced tone with solid sustain. The longer the notes last, the bigger will be the differences
An sg's tone decays faster and will sound thinner compared to that of les paul guitars There may always be preferred year neck shapes, like the 61 slim taper, that dives little but provides the easiest access all the way to fret 22. These provide more sustain and an overall rounder tone than sgs.
To my guess charlie brown, the bevel police officer of the board, would say that the sg 61 shape is the very one for sgs
Two of my sgs have different body and neck contours, two have the 61 shape, and the differences are truly significant Nashville), and platings (nickel vs. From all the research i've gathered, i'm understanding that gibson started stamping the. What an awesome gibson sg special p90, a very good deal
The p90 pickups are really good, slim taper neck profile is perfect for me, very comfortable The '61 design is pure and the sg is very well balanced I installed a tonepros adjustable wraparound bridge, new knobs have a mirror top like cus. Recently picked up a brand new sg standard 61 in classic white
Plays great, set up great, guitar is mint with no issues anywhere on it, except the back has this pinkish brownish streak down the middle.
Im really thinkin this must be the stepchild of the sg line Introduced in 1980, it appears to have had a short, vague and misguided life Its begginings were simple as it was simply a the sg (standard) made from natural finish mahogany rather than walnut and getting its name from the gibson. The sg neck shape has been evolving since its introduction in 61
I believe that the sg neck has possibly changed more than any other gibson
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